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THE ARTS SOCIETY
SUTTON COLDFIELD
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DateLecture
09 October 2019Powder & Poison: Cosmetics, Beauty & the Art of Portraiture
13 November 2019Birmingham Museum & Art Gallery
11 December 2019A Dickens of a Christmas
08 January 2020The Black Death: A Turning Point in the Arts
12 February 2020Four inventions which changed the history of art
11 March 2020The Inspiration of Historic Interiors on Interiors Today
08 April 2020The Gilded Stage: A Social and Cultural History of Opera
13 May 2020From Bioscopes to Blockbusters
10 June 2020Lawrence of Arabia: Excavating a Legend
08 July 2020Hidden Canvasses - Street Art and the City

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Powder & Poison: Cosmetics, Beauty & the Art of Portraiture Dr Claire Walsh Wednesday 09 October 2019

Why do people look the way they do in portraits of the past? From the alarmingly lead-whitened cheeks of the Renaissance, to the disappearing hairlines and mouse-hair eyebrows of the 17th and 18th centuries and rouged-cheeks of the Victorians, portraits have been governed by cosmetics, fashions and ever-changing concepts of beauty. Not only women, but men too were at the mercy of changing trends in hair styles, wigs, jewellery, smallpox patches and artificial teeth. From the application of rhubarb or boiled pigeon, mercury or lead, powders and poisons have dominated the ‘look of an age’.  While the portraitist strove to capture the individual, this had to be translated through the mask of stylish convention, balancing reality with the ‘ideal of beauty.